It could also be extended to the handsome and postmodern Vikings.
Unquestionably Hollywood has a fix with U.K. Viking or Roman theme in historical films.
I have realized that they are renewing the genre every X generations, lest anyone in the world forget that the interesting thing and the pattern of the universal model are these three monothematic themes.
There have also been productions of historical cultures from other countries, for example Japan, e.t.c. but curiously about the argument appears a character who is usually English because by time could not be American and coming from nothing to that culture gets to be the number one, the most handsome, intelligent and the best manages the situation without a course of 15 days.
Each country makes the films that it wants, but evidently the North American production is seen later in all the world, in short that they are bought in other countries that are already up to the cap of the history in cinema of U.K. Vikings, postmodern Romans; although in the case of Imperial Rome as everyone knows the emperors, wives, relatives e.t.c. They have an English look and the centurions are indeterminate but they look like very perfect between German, English and American. In short, the Italians make a film production about the Roman Empire made with Italian actors and the public is shocked, it can not be Italian!
I just finished the second season of "Medici" on Netflix. Honestly, I kept watching mainly to see Florence up close and personal and the art reproductions, because somehow they took a very dramatic and romantic period and made it boring.
Much of the blame is on the actors they chose to portray Lorenzo and Giuliano de Medici, not Italian, either of them, bearing no resemblance whatsoever to the original historical characters, and terrible actors on top of it. When Lorenzo is supposed to be riddled with indecision and full of anxiety for not only his family but Florence, he looks like he just has a toothache. Plus, he has about as much charisma and sex appeal as a wet noodle. There are good Italian actors in the minor roles, but it's not enough to save this snoozer.
The real Lorenzo:
The fake Lorenzo: I mean, really? Does this look like the ruthless banker and politician of the history books? I know he was an intensely cultured man, and one of the greatest patron of the arts to ever live, but there was a whole other side to him.
Giuliano:
The fake Giuliano, who has none of the arrogance and swagger and brute masculinity of the historical person.
Then, strangely, they have a beautiful but quite dark and robust Italian actress portray the quite delicate Lucrezia Donati, Lorenzo's mistress. She's a good actress, though, so there's that.
I won't even get into the liberties they took with the facts, i.e. the affair between Giuliano and Simonetta Vespucci, Botticelli's muse, is extremely dubious.
However, countries are free to make the movies they wish. The U. S. is an "Anglo" country. English history is the most familiar "foreign" history to them. The Vikings always sell, because young men like to watch fighting and mayhem. To some extent, that's why they like movies about Rome. They're also familiar with ancient Rome because of the history they learn and because of the many movies made in the past about it.
If other countries, and that goes for Italy as well, want their own history on the big screen told their own way then they should take it upon themselves to raise the money and make those movies.